The Qianlong emperor, who dominated the religious and political life of eighteenth-century China, was in turn dominated by elaborate ritual prescriptions. These texts determined what he wore and ate, how he moved, and above all how he performed the yearly Grand Sacrifices. In Of Body and Brush, Angela Zito offers a stunningly original analysis of the way ritualizing power was p...(展开全部)

司徒安，纽约大学人类学与宗教研究副教授。主要研究领域为人类学、中国文化史及宗教研究。拍摄纪录片《水书》（2012）。合编Body, Subject and Power in China, DV-Made China: Digital Subjects and Social Transformations after Independent Film。她的个人网页为www.angelazito.com。

One of the most exciting recent developments in the study of Chinese literature has been the rediscovery of an extremely rich and diverse tradition of women's writing of the imperial period (221 BCE -1911 CE). Many of these writings are of considerable literary quality. Others provide us with moving insights into the lives and feelings of a surprisingly diverse group of women l...(展开全部)

The Qianlong emperor, who dominated the religious and political life of eighteenth-century China, was in turn dominated by elaborate ritual prescriptions. These texts determined what he wore and ate, how he moved, and above all how he performed the yearly Grand Sacrifices. In Of Body and Brush, Angela Zito offers a stunningly original analysis of the way ritualizing power was p...(展开全部)

司徒安，纽约大学人类学与宗教研究副教授。主要研究领域为人类学、中国文化史及宗教研究。拍摄纪录片《水书》（2012）。合编Body, Subject and Power in China, DV-Made China: Digital Subjects and Social Transformations after Independent Film。她的个人网页为www.angelazito.com。

本书是一本研究流落在海外的中国古代法书名迹的学术专著，由六篇相对独立又相联的论文组成，论述了书法史研究中一些容易被混淆与忽视的问题。

Over the course of the sixteenth and early seventeenth centuries, Mughal court painters evolved from illustrators of manuscripts and albums to active mediators of imperial visionary experience, cultivating their patrons’ earthly and spiritual authority. Featuring over 80 color illustrations, The Brush of Insight traces this shift, demonstrating how royal artists created a new v...(展开全部)

本书是一本研究流落在海外的中国古代法书名迹的学术专著，由六篇相对独立又相联的论文组成，论述了书法史研究中一些容易被混淆与忽视的问题。

Photography was introduced to China in the 1840s through the West's engagement in the Opium Wars and the subsequent reforms of Chinese statesmen. As a result, traditional modes of expression were dramatically transformed. Uncovered here is a captivating visual history of China during photography's first century, from the late Qing period to Republican Shanghai and wartime Chong...(展开全部)

As the Opium War unfolded in Guangdong Province, the painter Su Renshan exploded onto the art scene with a bold, paradigm-turning new voice. Yeewan Koon’s new book, A Defiant Brush, takes a fresh look at this nderappreciated artist in the context of a nascent Chinese modernism. In 1839, Guangzhou had shifted from a cosmopolitan trading center with a diverse art world into a pla...(展开全部)